"I learn most when I walk with a camera; about myself and the company I share. I engage. I stop mentally.
Laura Pannack is a London based Photographer. She was educated at the University of Brighton Central Saint Martins College of Art and LCC.
Her work has been extensively exhibited and published both in the UK and internationally, including at The National Portrait Gallery, The Houses of Parliament, Somerset House, and the Royal Festival Hall in London.
In 2010 Laura received first prize in the Portrait Singles category of the World Press Photo awards. She has also won and been shortlisted for several other awards including The Sony World Photography Awards, The Magenta foundation and Lucies IPA.
She was awarded the Vic Odden by The Royal Photographic Society award for a notable achievement in the art of photography by a British photographer aged 35 or under. She was a judge for the 2015 World Press Photo awards and divides her time between teaching, completing assignments and working on her personal projects
Her art focuses on social documentary and portraiture, and seeks to explore the complex relationship between subject and photographer.
Laura is driven by research led self-initiated projects that combine her interest in psychology and photography. In her own words, she does all she can “to understand the lives of those captured, and to present them creatively”. She is a firm believer that “time, trust and understanding is the key to portraying subjects truthfully”, and as such, many of her projects develop over several years. Her particular approach allows a genuine connection to exist between sitter and photographer, which in turn elucidates the intimacy of these very human exchanges. Her images aim to suggest the shared ideas and experiences that are entwined in each frame that she shoots. Laura largely shoots with a film camera on her personal projects, allowing her process to be organic rather than being predefined by fixed ideas, thus removing additional pressure on the sitter.
‘Laura’s remarkable ability to build trust and respect with her subjects allows her to express a gritty vulnerability that is as sincere as it is elusive to capture.’
- Terry O’ Neill – photographer
Samsung | Dove | Vodaphone | Barclays | Nike | 180 Amsterdam | SIRE | Accenture | Central Office of Information – Childrens Workforce Development Council | The Arts Council | TIME | GQ | Stella | Grazia | The Telegraph Weekend | The Guardian Weekend | The Sunday Times | The Independent Review | ES Weekend | Seven | The FT Weekend | Dazed & Confused | The Wall Street Journal | The New Statesman | NYT Little NRC NZZ | Time Out | Le Monde M | The Photographer’s Gallery London | Straight Talking | YOTA | Telecommunications | Fairbbridge | Moshi Moshi Records | D&AD | OXFAM International | Save The Children | The Mental Health Foundation